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The Summer Day
by Mary Oliver
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
"The Summer Day" by Mary Oliver, from The Truro Bear and Other Adventures: Poems and Essays. © Beacon Press, 2008.
Tree Marriage
by William Meredith
In Chota Nagpur and Bengal
the betrothed are tied with threads to
mango trees, they marry the trees
as well as one another, and
the two trees marry each other.
Could we do that some time with oaks
or beeches? This gossamer we
hold each other with, this web
of love and habit is not enough.
In mistrust of heavier ties,
I would like tree-siblings for us,
standing together somewhere, two
trees married with us, lightly, their
fingers barely touching in sleep,
our threads invisible but holding.
"Tree Marriage" by William Meredith, from Effort at Speech. © Northwestern University Press, 1997.
Pig
by Henri Cole
Poor patient pig -- trying to keep his balance,
that's all, upright on a flatbed ahead of me,
somewhere between Pennsylvania and Ohio,
enjoying the wind, maybe, agains the tufts of hair
on the tops of his ears, like a Stoic at the foot
of the gallows, or, with my eyes heavy and glazed
from caffeine and driving, like a soul disembarking,
its flesh probably bacon now tipping into split
pea soup, or, more painful to me, like a man
in his middle years struggling to remain
vital and honest while we're all just floating
around accidental-like on a breeze.
What funny thoughts slide into the head,
alone on the interstate with no place to be.
From Touch: Poems by Henri Cole Farrar, Straus and Giroux, 2011
Hinterhof
by James Fenton
Stay near to me and I'll stay near to you —
As near as you are dear to me will do,
Near as the rainbow to the rain,
The west wind to the windowpane,
As fire to the hearth, as dawn to dew.
Stay true to me and I'll stay true to you —
As true as you are new to me will do,
New as the rainbow in the spray,
Utterly new in every way,
New in the way that what you say is true.
Stay near to me, stay true to me. I'll stay
As near, as true to you as heart could pray.
Heart never hoped that one might be
Half of the things you are to me —
The dawn, the fire, the rainbow and the day
"Hinterhof" by James Fenton, from Yellow Tulips: Poems 1986-2011. © Faber & Faber, 2011
Nachtlied II
Ein Gleiches
Über allen Gipfeln
Ist Ruh'
In allen Wipfeln
Spürest Du
Kaum einen Hauch;
Die Vögelein schweigen im Walde
Warte nur, balde
Ruhest Du auch.
This Morning I Wanted Four Legs
Nothing on two legs weighs much,
or can.
An elephant, a donkey, even a cookstove--
those legs, a person could stand on.
Two legs pitch you forward.
Two legs tire.
They look for another two lets to be with,
to move one set forward to music
while letting the other move back.
They want to carve into a tree trunk:
2gether 4ever.
Nothing on two legs can bark,
can whinny or chuff.
Tonight, though, everything’s different.
Tonight I want wheels.
----- Jane Hirshfield
The New Yorker, July 2, 2012
On the Road, between Toledo & Cincinnati, Late June
by Sebastian Matthews
Somewhere dead center in the day's drive
through this relentlessly flat state, the sky
darkens and fills up deepend blue,
and the word 'rain' comes to your lips
twenty seconds before the first waterballoon
droplets hit; and before you can think
or turn and say 'storm' here it comes
spilling out of its box like a load of grain.
The woman in the passenger seat
of a raggedly elegant convertible, top down,
laughs merrily, purse held over her head.
Motorcycles cluster under the awnings
of bridges, five, six, a whole family of Harleys:
Middle Americans for a brief spell
hobos, gathering around the fire
of manageable happenstance. We'll all
make it through. No twister coming to life
out of the yellowing swirl. No pile-up crash
in our cards. The rain subsiding, wipers
knocked back to intermittent, you drive on
through the burgeoning heat: crows
congregating in the backyards of trees,
fireworks stockpiling in the beds of pickups,
young girls towed behind speedboats
in inner tubes, shouting to each other
as they pass over the rotting corpse
of a deer that, a year-rounder told,
finally fell after a long winter
through the melting ice and settled
uneasily on the lake bottom.
"On the Road, between Toledo & Cincinnati, Late June" by Sebastian Matthews, from We Generous. © Red Hen Press, 2007
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