Friday, February 22, 2013

Honda Pavarotti


Honda Pavarotti
by Tony Hoagland

I'm driving on the dark highway
when the opera singer on the radio
opens his great mouth
and the whole car plunges down the canyon of his throat.

So the night becomes an aria of stars and exit signs
as I steer through the galleries
of one dilated Italian syllable
after another. I love the passages in which

the rich flood of the baritone
strains out against the walls of the esophagus,
and I love the pauses
in which I hear the tenor's flesh labor to inhale

enough oxygen to take the next plummet
up into the chasm of the violins.
In part of the song, it sounds as if the singer
is being squeezed by an enormous pair of tongs

while his head and legs keep kicking.
In part of the song, it sounds as if he is
standing in the middle of a coliseum,
swinging a 300-pound lion by the tail,

the empire of gravity
conquered by the empire of aerodynamics,
the citadel of pride in flames
and the citizens of weakness
celebrating their defeat in chorus,

joy and suffering made one at last,
joined in everything a marriage is alleged to be,
though I know the woman he is singing for
is dead in a foreign language on the stage beside him,
though I know his chain mail is made of silver-painted plastic
and his mismanagement of money is legendary,
as I know I have squandered
most of my own life

in a haze of trivial distractions,
and that I will continue to waste it.
But wherever I was going, I don't care anymore,
because no place I could arrive at

is good enough for this, this thing made out of experience
but to which experience will never measure up.
And that dark and soaring fact
is enough to make me renounce the whole world

or fall in love with it forever. 

"Honda Pavarotti" by Tony Hoagland, from Donkey Gospel. © Graywolf Press, 1998

Billy Collins' Birthday

March 22 is the birthday of the best-selling poet Billy Collins, (books by this author) born in Queens, New York (1941). He thinks that too much modern poetry lacks humor. He said: "It's the fault of the Romantics, who eliminated humor from poetry. Shakespeare's hilarious, Chau-cer's hilarious. The Romantics killed off humor, and they also eliminated sex, things which were replaced by landscape. I thought that was a pretty bad trade-off, so I'm trying to write about humor and landscape, and occasionally sex."

He was in his 40s when he published his first book, The Apple That Astonished Paris (1988), and he has become one of the country's most popular poets. His book Sailing Alone Around the Room (2000) has sold almost 200,000 copies, more than any other book of poetry in this century. His collection Ballistics came out in 2008.



Introduction to Poetry


by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

"Introduction to Poetry" by Billy Collins, from The Apple That Astonished Paris. © University of Arkansas Press, 1996

From The Writer's Almanac