Thursday, October 20, 2011

On Poetry

February 20, 2006




I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.

When I was 12 years old, I was responsible for the death of my younger brother in a hunting accident. I held the rifle that killed him. In a single moment, my world changed forever. I felt grief, terror, shame and despair more deeply than I could ever have imagined. In the aftermath, no one in my shattered family could speak to me about my brother's death, and their silence left me alone with all my agonizing emotions. And under those emotions, something even more terrible: a knowledge that all the easy meanings I had lived by until then had been suddenly and utterly abolished.

One consequence of traumatic violence is that it isolates its victims. It can cut us off from other people, cutting us off from their own emotional lives until we go numb and move through the world as if only half alive. As a young person, I found something to set against my growing sense of isolation and numbness: the making of poems.

When I write a poem, I process experience. I take what's inside me — the raw, chaotic material of feeling or memory — and translate it into words and then shape those words into the rhythmical language we call a poem. This process brings me a kind of wild joy. Before I was powerless and passive in the face of my confusion, but now I am active: the powerful shaper of my experience. I am transforming it into a lucid meaning.

Because poems are meanings, even the saddest poem I write is proof that I want to survive. And therefore it represents an affirmation of life in all its complexities and contradictions.

An additional miracle comes to me as the maker of poems: Because poems can be shared between poet and audience, they also become a further triumph over human isolation.

Whenever I read a poem that moves me, I know I'm not alone in the world. I feel a connection to the person who wrote it, knowing that he or she has gone through something similar to what I've experienced, or felt something like what I have felt. And their poem gives me hope and courage, because I know that they survived, that their life force was strong enough to turn experience into words and shape it into meaning and then bring it toward me to share. The gift of their poem enters deeply into me and helps me live and believe in living.

Love Poem  
by Gregory Orr

A black biplane crashes through the window 
of the luncheonette. The pilot climbs down, 
removing his leather hood. 
He hands me my grandmother's jade ring. 
No, it is two robin's eggs and 
a telephone number: yours.Publish Post


Wednesday, October 19, 2011

From Out the Cave

From Out the Cave
by Joyce Sutphen


When you have been
at war with yourself
for so many years that
you have forgotten why,
when you have been driving
for hours and only
gradually begin to realize
that you have lost the way,
when you have cut
hastily into the fabric,
when you have signed
papers in distraction,
when it has been centuries
since you watched the sun set






or the rain fall, and the clouds,
drifting overhead, pass as flat
as anything on a postcard;
when, in the midst of these
everyday nightmares, you
understand that you could
wake up,
you could turn
and go back
to the last thing you
remember doing
with your whole heart:
that passionate kiss,
the brilliant drop of love
rolling along the tongue of a green leaf,
then you wake,
you stumble from your cave,
blinking in the sun,
naming every shadow
as it slips. 


"From Out the Cave" by Joyce Sutphen, from Straight Out of View. © Beacon Press, 1995.