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Hinterhof
by James Fenton
Stay near to me and I'll stay near to you —
As near as you are dear to me will do,
Near as the rainbow to the rain,
The west wind to the windowpane,
As fire to the hearth, as dawn to dew.
Stay true to me and I'll stay true to you —
As true as you are new to me will do,
New as the rainbow in the spray,
Utterly new in every way,
New in the way that what you say is true.
Stay near to me, stay true to me. I'll stay
As near, as true to you as heart could pray.
Heart never hoped that one might be
Half of the things you are to me —
The dawn, the fire, the rainbow and the day
"Hinterhof" by James Fenton, from Yellow Tulips: Poems 1986-2011. © Faber & Faber, 2011
Nachtlied II
Ein Gleiches
Über allen Gipfeln
Ist Ruh'
In allen Wipfeln
Spürest Du
Kaum einen Hauch;
Die Vögelein schweigen im Walde
Warte nur, balde
Ruhest Du auch.
This Morning I Wanted Four Legs
Nothing on two legs weighs much,
or can.
An elephant, a donkey, even a cookstove--
those legs, a person could stand on.
Two legs pitch you forward.
Two legs tire.
They look for another two lets to be with,
to move one set forward to music
while letting the other move back.
They want to carve into a tree trunk:
2gether 4ever.
Nothing on two legs can bark,
can whinny or chuff.
Tonight, though, everything’s different.
Tonight I want wheels.
----- Jane Hirshfield
The New Yorker, July 2, 2012
On the Road, between Toledo & Cincinnati, Late June
by Sebastian Matthews
Somewhere dead center in the day's drive
through this relentlessly flat state, the sky
darkens and fills up deepend blue,
and the word 'rain' comes to your lips
twenty seconds before the first waterballoon
droplets hit; and before you can think
or turn and say 'storm' here it comes
spilling out of its box like a load of grain.
The woman in the passenger seat
of a raggedly elegant convertible, top down,
laughs merrily, purse held over her head.
Motorcycles cluster under the awnings
of bridges, five, six, a whole family of Harleys:
Middle Americans for a brief spell
hobos, gathering around the fire
of manageable happenstance. We'll all
make it through. No twister coming to life
out of the yellowing swirl. No pile-up crash
in our cards. The rain subsiding, wipers
knocked back to intermittent, you drive on
through the burgeoning heat: crows
congregating in the backyards of trees,
fireworks stockpiling in the beds of pickups,
young girls towed behind speedboats
in inner tubes, shouting to each other
as they pass over the rotting corpse
of a deer that, a year-rounder told,
finally fell after a long winter
through the melting ice and settled
uneasily on the lake bottom.
"On the Road, between Toledo & Cincinnati, Late June" by Sebastian Matthews, from We Generous. © Red Hen Press, 2007
From The Writer's Almanac
Oil & Steel
by Henri Cole
My father lived in a dirty-dish mausoleum,
watching a portable black-and-white television,
reading the Encyclopaedia Britannica,
which he preferred to Modern Fiction.
One by one, his schnauzers died of liver disease,
except the one that guarded his corpse
found holding a tumbler of Bushmills.
"Dead is dead," he would say, an antipreacher.
I took a plaid shirt from the bedroom closet
And some motor oil—my inheritance.
Once I saw him weep in a courtroom—
neglected, needing nursing—this man who never showed
me much affection but gave me a knack
for solitude, which has been mostly useful.
A man said to the universe:
"Sir I exist!"
"However," replied the universe,
"The fact has not created in me
A sense of obligation."
-- Stephen Crane
Clock
by Linda Pastan
Sometimes it really upsets me—
the way the clock's hands keep moving,
even when I'm just sitting here
not doing anything at all,
not even thinking about anything
except, right now, about that clock
and how it can't keep its hands still.
Even in the dark I picture it, and all
its brother and sister clocks and watches,
even sundials, all those compulsive timepieces
whose only purpose seems to be
to hurry me out of this world.
"Clock" by Linda Pastan from Traveling Light. © Norton, 2010.
