Thursday, July 29, 2010

I-Dosing

I-Dosing: Digital Drugs and Binaural Beats

Are kids getting high on digital drugs?

Published on July 14, 2010

Forget the medical marijuana dispensaries popping up on every street corner in California and Colorado. There's a new drug in town: it's called Idozer.













Simply put, i-dosing is the attempt to achieve a perceived drug "high" from listening specially-engineered sounds and music. Purveyors of this new market of "legal drugs" claim that different "digital drug recordings" can simulate the euphoric effects of marijuana, anti-depressant prescription drugs, LSD, ecstasy, cocaine... if Keith Richards tried it, they've got a song for it.


But really, Idozer (or I-doser as it is also known) is an extremely old "drug" in a new package. And breathe easy my fellow parents—because it's not really a drug—it's binaural beat therapy.

In 1839, Heinrich Wilhelm Dove discovered that two constant tones, played at slightly different frequencies in each ear, cause the listener to perceive the sound of a fast-paced beat. Calling this phenomenon "binaural beats," Dove helped launch two centuries of legitimate research and, as is almost always followed by exciting empirical study, money-grabbing pseudoscience.

First, the facts: Binaural beat therapy has been used in clinical settings to research hearing and sleep cycles, to induce various brain wave states, and treat anxiety.

But there are more controversial (dare I say dubious?) claims associated with binaural beats: Increased dopamine and beta-endorphin production, faster learning rates, improved sleep cycles, and yes, if you dig around less scientific communities like, oh, MySpace and YouTube, you'll find kids telling each other that "dude, those beats get you like totally high."

If you've wandered through a Brookstone or Sharper Image store in your local shopping mall and noticed sleep therapy or "brain-controller" devices for sale, that's just an upper middle class, "I need to stop thinking about my 401(k)" version of the same digital drug that the new crop of seedy i-dosing websites are offering to teens.

Is it a real drug? Probably not.

Is there a decent chance that you'll hear more about this in the next couple of weeks as the media and the easily excitable public gets whipped up into a fast-paced, dissonant frequency frenzy? Yeah, most likely.



Is it a sign that teenage culture is still obsessed with—and actively seeking—experimentation with drugs and altered states? You bet.

With all the truly dangerous drugs out there accessible by your kids, I'd place Idozer on the low priority list for now. But if you happen to notice that your teenager has stopped listening to Tokyo Hotel or Timbaland and started listening to mind-numbing pink noise, perhaps it's time for a mature dialogue about the source of their motivations.

Or, you can just sneak into their iTunes playlist and upload Pink Floyd's Atom Heart Mother—because truly drug-induced music can be enough to scare anyone straight. ;-)

Find me on Twitter: @rondoylewrites

Check out my Blog Salad, my humor blog about design, technology and general geekiness: BlogSaladBlog.com

Copyright Ron S. Doyle

Wednesday, July 28, 2010

Summer Reading

A London Cabbie's Summer Reading Picks

July 24, 2010

Listen to the Story


Weekend Edition Saturday July 24, 2010

Will Grozier, who drives a taxi in London, is no ordinary cabbie. NPR's Scott Simon calls him "the best-read man that I have ever encountered in my life" — which is why NPR occasionally calls Grozier up for reading recommendations.
















Our cabbie likes to mix things up by reading both fiction and nonfiction; new releases and older volumes; serious tomes and lighter fare; and, of course, a healthy helping of whatever people leave in the back of his cab. Here's a list of what Will Grozier loves right now, books that captivate whether you're poring over them on the beach or sampling them on a short taxi ride.


Solar By Ian McEwan, hardcover, 304 pages, Nan A. Talese, list price: $26.95

Grozier calls Solar, the latest novel by Ian McEwan, "an absolute hoot."

"It's completely in a different direction to anything that he's ever done before," Grozier says of the author who's best known for dark, weighty tales like Atonement and On Chesil Beach.

Solar focuses on Michael Beard, a Nobel Prize-winning, five-times-married physicist whose professional success is a dramatic contrast to his messy personal life. Beard's life changes when he inadvertently stumbles upon an amazing technology that can convert solar power into usable electric energy.

"But the way that he comes upon this is germane to the plot," Grozier says, "so I won't spoil it."

Suffice it to say that nothing is the same for Beard after this discovery — and that, according to Grozier, Solar is Ian McEwan "as you've never read him before."

(McEwan discusses what inspired Solar and the challenges of writing about brilliant scientists in this interview with NPR's Lynn Neary.)

The Extinction Event By David Black, hardcover, 304 pages, Forge Books, list price: $25.99

David Black knows a thing or two about crafting suspenseful, tight, fast-paced stories. The author of 10 novels and works of nonfiction has also dabbled in television — he's penned and produced several episodes of Law & Order.

His latest novel,The Extinction Event, which Grozier calls "a rattling good read for the beach," is a noir mystery about lawyer Jack Slidell, who finds himself a suspect in a murder case after being caught in the wrong place at the wrong time. As he embarks on a journey to clear his name, Jack discovers that the murder is the least of his worries. More important is it's connection to the governmental cover-up of a potentially apocalyptic event.

Grozier is loathe to reveal any more details — "Again, I don't want to give too much away for your readers." Still, he can say with certainty that The Extinction Event has plenty of twists and turns, as well as a good amount of "sex and drugs and literary rock 'n' roll."

A Week in December By Sebastian Faulks, hardcover, 400 pages, Doubleday, list price: $27.95

The name of the author behind A Week In December may look familiar to anyone who prefers their martinis shaken, not stirred. Sebastian Faulks is the British novelist who Ian Fleming's estate contracted to write a new James Bond book: Devil May Care, which was released in 2008.

"I don't know how well that went," Grozier says. He recalls seeing the Bond reboot in a secondhand store soon after it was published, a sign that Faulks' work may not have been entirely successful.

A Week In December, though, is another story altogether. While Grozier calls this novel a "little bit deeper, little bit darker than the first two" of his recommendations, it's also "a little more meaty."

Faulks follows seven people over the course of one week in London.

"There's a hedge fund manager, a London Underground train driver, a down-on-his-luck lawyer," Grozier says. "Oh, and he has some potential bombers that have been brainwashed by an Islamic fundamentalist."

Members of this piecemeal party eventually interact with one another over the course of the book, which attacks the greed of the banking industry and the evils of fundamentalism. (Faulks talks about the ideas he explores in A Week In December in this interview.)
Link
Brooklyn: A Novel By Colm Toibin, paperback, 272 pages, Scribner, list price: $15

Next up is a book that Grozier "will challenge the guys to read."Brooklyn is the story of a young Irish immigrant making her way in the Big Apple.

"Like many of the Irish writers that I've read in recent years," Grozier says, "[Colm Toibin] seems to have a very, very deft touch when it comes to portraying women."

Toibin's heroine, Eilis Lacey, migrates across the Atlantic in the early 1950s to find a better job. The journey has an impact on more than just Eilis's bank account.

"Almost imperceptibly," Grozier says, "[she] undergoes a fundamental change of approach because of her new surroundings, her new environment, her new interaction[s]."

But when she must travel back to her small home town in Ireland after a devastating tragedy, Eilis finds herself torn between her family and the life she's made for herself in the States.

"Ultimately, the story revolves around the decision that she has to make at the end of that rather tormented period," Grozier says. Of course, he won't spoil just what that decision is. (NPR's Maureen Corrigan calls Brooklyn a "profound story about ordinary limited options" and Jacki Lyden saysToibin writes "with care and precision.")

Saturday, July 24, 2010

Daneil Schorr August 31, 1916 – July 23, 2010

WASHINGTON (AP) - Veteran reporter and commentator Daniel Schorr, whose hard-hitting reporting for CBS got him on President Richard Nixon's notorious "enemies list" in the 1970s, has died. He was 93.























Schorr died Friday at Washington's Georgetown University Hospital after a brief illness, said his son, Jonathan Schorr.


Daniel Schorr's career of more than six decades spanned the spectrum of journalism - beginning in print, then moving to television where he spent 23 years with CBS News and ending with National Public Radio, where he worked until he died. He also wrote several books, including his memoir, "Staying Tuned: A Life in Journalism."

The famed political reporter nearly became a music reviewer instead. Beyond the dogged reporting, though, Jonathan Schorr, 42, said his father was a warm, caring and someone who taught by example.

"We're incredibly sad, but at the same time, my dad had 93 amazing years," he said. "I think all he could have wished for is a terrific, long life, where he accomplished amazing things and died peacefully in the arms of his entire family."

Schorr reported from Moscow; Havana; Bonn, Germany; and many other cities as a foreign correspondent. While at CBS, he brought Americans the first-ever exclusive television interview with a Soviet leader, Nikita Khrushchev, in 1957.

During the Nixon years, Schorr not only covered the news as CBS' chief Watergate correspondent, but he also became part of the story. Hoping to beat the competition, he rushed to the air with Nixon's famous "enemies list" and began reading the list of 20 to viewers before previewing it. As he got to No. 17, he discovered his name.

"I remember that my first thought was that I must go on reading without any pause, or gasp or look of wild surmise," he wrote in his book "Clearing the Air."

"I do not know how well I carried off my effort to appear oblivious to the discovery of my name on an ominous-looking list, but I count this one of the most trying experiences in my television career."

Schorr's stories pointing out weaknesses of the administration's programs so angered Nixon that he ordered an FBI investigation of the reporter - saying he was being considered for a top federal job. That investigation was later mentioned in one of the three articles of impeachment - "abuse of a federal agency" - adopted by the House Judiciary Committee against Nixon.

He said he figured he became such a thorn in Nixon's side because his newspaper background gave him a bluntness rare on television.

Later in life, Schorr cherished his coverage of Nixon, his son said.

"He had nothing more than the truth to go up against the president of the United States," the younger Schorr said.

Still, he and Nixon were "extremely cordial" by the end of Nixon's life, Jonathan Schorr said, "and my dad loved that."

Schorr became part of the story once again in 1976, when he arranged for the publication of an advance copy of a suppressed House Intelligence Committee report on illegal CIA and FBI findings.

At the time, Schorr called it "an inescapable decision of journalistic conscience" to see that the report ended up in print. To his surprise, reaction from his own colleagues in the media was negative, because Schorr had handed the report over in exchange for a donation to a group that aids journalists in First Amendment issues.

Many reporters also found Schorr's silence troubling when another CBS correspondent, Lesley Stahl, was wrongly accused of leaking the report.

Schorr was suspended by the network and the House opened an investigation, though it later dropped the case. He resigned from CBS soon after.

Well into his 90s, he was still giving commentaries on NPR. Pondering the November 2009 shootings at Fort Hood, Texas, he cited the online contacts between the suspect, Maj. Nidal Hasan, and a radical cleric. He asked, "does the Internet merit some of the responsibility for helping the violence-prone to fester there in communion with the machine?"

He was last heard on the air waves July 10, on NPR's "Weekend Edition" with Scott Simon in a discussion of the U.S.-Russia spy swap, the Justice Department's lawsuit against Arizona and other news of the week.

Simon called working with Schorr "one of the great blessings of my life."

"He had no boss but the First Amendment," Simon said. "He felt his duty was to the news."

Schorr spoke in a thick New York accent he never lost, a voice that contrasted sharply with the drama-school quality of many newscasters of the 1950s and '60s. It made his delivery all the more compelling.

Schorr was very good at developing sources surrounding the Cold War, in the United States, Europe and the Soviet Union, former CBS colleague Dan Rather said.

"In Washington, he prided himself on being an outsider, not an insider," Rather said. "He didn't work the social circuit. He worked his shoe leather and his telephones."

Born in New York City to Russian-Jewish immigrant parents, Schorr began his career in journalism while he was still in high school. When he wasn't working on the student newspaper, he spent his free time as a stringer for the Bronx Home News and the Jewish Daily Bulletin. During college, Schorr also worked part-time for several metropolitan dailies.

Schorr first caught the eye of famed CBS newsman Edward R. Murrow during his vivid reports on devastating flooding in the Netherlands in 1953. Murrow persuaded him to join the network, where he started out covering Capitol Hill and the State Department.

After CBS, Schorr taught journalism at the University of California at Berkeley, and then in 1979 he joined Ted Turner's newly created CNN as its senior correspondent in Washington.

Soon after leaving the cable station in 1985 over differences with Turner, Schorr found a home at National Public Radio as a senior news analyst. He contributed regularly to "All Things Considered," and other NPR programs.

He received three Emmy Awards, among other honors that include a Peabody in 1992 for "a lifetime of uncompromising reporting of the highest integrity." He was inducted into the Hall of Fame of the Society of Professional Journalists in 1991.

Schorr is survived by his wife, Lisbeth, his son, Jonathan Schorr, daughter, Lisa Kaplan, and one grandchild. Memorial plans have not been set.

Copyright © 2010 The Associated Press

Sunday, July 18, 2010

Don't give in to acedia

acedia \uh-SEE-dee-uh\, noun:

1. Sloth.
2. Laziness or indifference in religious matters.


His tales give the impression of a man cursed with an incurable disenchantment with life, a malady about midway between acedia and ennui.
-- James Norman Hall, Under a thatched roof

Five thousand people yawning in their cars, intimidated by the cops and bored to acedia by the chant of the politicians.
-- Edward Abbey, The monkey wrench gang

Acedia is a simple derivation from the Greek akēdeia, "indifference."


From Word of the Day.


Wednesday, July 14, 2010

Hymn to the Comb-Over

Hymn to the Comb-Over by Wesley McNair

How the thickest of them erupt just
above the ear, cresting in waves so stiff
no wind can move them. Let us praise them
in all of their varieties, some skinny
as the bands of headphones, some rising
from a part that extends halfway around
the head, other four or five strings
stretched so taut the scalp resembles










\





a musical instrument. Let us praise the sprays
that hold them, and the combs that coax
such abundance to the front of the head
in the mirror, the combers entirely forget
the back. And let us celebrate the combers,
who address the old sorrow of time's passing
day after day, bringing out the barrenness
of mid-life this ridiculous and wonderful
harvest, no wishful flag of hope, but, thick,
or thin, the flag itself, unfurled for us all
in subways, offices, and malls across America.


"Hymn to the Comb-Over" by Wesley McNair, from The Ghosts of You and Me. © David R. Godine, 2006.


From The Writer's Almanac