"Hope” is the thing with feathers - (314)
by Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
Saturday, September 16, 2017
Friday, July 21, 2017
timing is everything
timing is everything
by Gerald Locklin
the horoscope this morning
really put me on my guard,
sent the adrenalin coursing
through my veins,
as it predicted a crucial confrontation
that would require all the will and
ingenuity that i could muster …
until i remembered i was looking at
a week-old student newspaper.
"timing is everything" by Gerald Locklin from Poets and Pleasure Seekers. © Spout Hill Press, 2015.
by Gerald Locklin
the horoscope this morning
really put me on my guard,
sent the adrenalin coursing
through my veins,
as it predicted a crucial confrontation
that would require all the will and
ingenuity that i could muster …
until i remembered i was looking at
a week-old student newspaper.
"timing is everything" by Gerald Locklin from Poets and Pleasure Seekers. © Spout Hill Press, 2015.
Sunday, July 16, 2017
A Different Drummer
Why should we be in such desperate haste to succeed and in such desperate enterprises? If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. It is not important that he should mature as soon as an apple tree or an oak. Shall he turn his spring into summer? If the condition of things which we were made for is not yet, what were any reality which we can substitute?
. . .Walden by Henry David Thoreau 1854
Sunday, July 2, 2017
Diagnosis
Diagnosis
by Sharon Olds
By the time I was six months old, she knew something
was wrong with me. I got looks on my face
she had not seen on any child
in the family, or the extended family,
or the neighborhood. My mother took me in
to the pediatrician with the kind hands,
a doctor with a name like a suit size for a wheel:
Hub Long. My mom did not tell him
what she thought in truth, that I was Possessed.
It was just these strange looks on my face—
he held me, and conversed with me
chatting as one does with a baby, and my mother
said, She’s doing it now! Look!
She’s doing it now! and the doctor said,
What your daughter has
is called a sense
of humor. Ohhh, she said, and took me
back to the house where that sense would be tested
and found to be incurable.
"Diagnosis" by Sharon Olds from One Secret Thing. © Knopf, 2009.
by Sharon Olds
By the time I was six months old, she knew something
was wrong with me. I got looks on my face
she had not seen on any child
in the family, or the extended family,
or the neighborhood. My mother took me in
to the pediatrician with the kind hands,
a doctor with a name like a suit size for a wheel:
Hub Long. My mom did not tell him
what she thought in truth, that I was Possessed.
It was just these strange looks on my face—
he held me, and conversed with me
chatting as one does with a baby, and my mother
said, She’s doing it now! Look!
She’s doing it now! and the doctor said,
What your daughter has
is called a sense
of humor. Ohhh, she said, and took me
back to the house where that sense would be tested
and found to be incurable.
"Diagnosis" by Sharon Olds from One Secret Thing. © Knopf, 2009.
Friday, March 3, 2017
I Love You
I Love You
by Billy Collins
Early on, I noticed that you always say it
to each of your children
as you are getting off the phone with them
just as you never fail to say it
to me whenever we arrive at the end of a call.
It's all new to this only child.
I never heard my parents say it,
at least not on such a regular basis,
nor did it ever occur to me to miss it.
To say I love you pretty much every day
would have seemed strangely obvious,
like saying I'm looking at you
when you are standing there looking at someone.
If my parents had started saying it
a lot, I would have started to worry about them.
Of course, I always like hearing it from you.
That is never a cause for concern.
The problem is I now find myself saying it back
if only because just saying good-bye
then hanging up would make me seem discourteous.
But like Bartleby, I would prefer not to
say it so often, would prefer instead to save it
for special occasions, like shouting it out as I leaped
into the red mouth of a volcano
with you standing helplessly on the smoking rim,
or while we are desperately clasping hands
before our plane plunges into the Gulf of Mexico,
which are only two of the examples I had in mind,
but enough, as it turns out, to make me
want to say it to you right now,
and what better place than in the final couplet
of a poem where, as every student knows, it really counts.
"I Love You" by Billy Collins from Aimless Love. © Random House, 2013.
by Billy Collins
Early on, I noticed that you always say it
to each of your children
as you are getting off the phone with them
just as you never fail to say it
to me whenever we arrive at the end of a call.
It's all new to this only child.
I never heard my parents say it,
at least not on such a regular basis,
nor did it ever occur to me to miss it.
To say I love you pretty much every day
would have seemed strangely obvious,
like saying I'm looking at you
when you are standing there looking at someone.
If my parents had started saying it
a lot, I would have started to worry about them.
Of course, I always like hearing it from you.
That is never a cause for concern.
The problem is I now find myself saying it back
if only because just saying good-bye
then hanging up would make me seem discourteous.
But like Bartleby, I would prefer not to
say it so often, would prefer instead to save it
for special occasions, like shouting it out as I leaped
into the red mouth of a volcano
with you standing helplessly on the smoking rim,
or while we are desperately clasping hands
before our plane plunges into the Gulf of Mexico,
which are only two of the examples I had in mind,
but enough, as it turns out, to make me
want to say it to you right now,
and what better place than in the final couplet
of a poem where, as every student knows, it really counts.
"I Love You" by Billy Collins from Aimless Love. © Random House, 2013.
Friday, February 10, 2017
Fiction
Fiction
by Howard Nemerov
The people in the elevator all
Face front, they all keep still, they all
Look up with the rapt and stupid look of saints
In paintings at the numbers that light up
By turn and turn to tell them where they are.
They are doing the dance, they are playing the game.
To get here they have gone by avenue
And street, by ordinate and abscissa, and now
By this new coordinate, up. They are three-
dimensional characters, taken from real life;
They have their fates, whether to rise or fall,
And when their numbers come up they get out.
"Fiction" by Howard Nemerov from The Collected Poems of Howard Nemerov. © University of Chicago Press, 1977.
by Howard Nemerov
The people in the elevator all
Face front, they all keep still, they all
Look up with the rapt and stupid look of saints
In paintings at the numbers that light up
By turn and turn to tell them where they are.
They are doing the dance, they are playing the game.
To get here they have gone by avenue
And street, by ordinate and abscissa, and now
By this new coordinate, up. They are three-
dimensional characters, taken from real life;
They have their fates, whether to rise or fall,
And when their numbers come up they get out.
"Fiction" by Howard Nemerov from The Collected Poems of Howard Nemerov. © University of Chicago Press, 1977.
Friday, December 30, 2016
If It Was a Snake
If It Was a Snake
by Louis Jenkins
You’ve lost something, your car keys, or your watch
and you have searched for what seems like hours. But
then suddenly it appears, right there on the table, not
two feet away. “If it was a snake it would have bit you,”
Mother said. That’s what you remember, a phrase,
an old saying. My sister said, “Grandma told me,
‘Never wear horizontal stripes, they make you look
fat.’ That’s one of the few things I remember about
Grandma.” Or the words disappear and an image
remains. I was getting a lecture from my parents
about riding my tricycle all the way downtown. I don’t
remember anything they said. I remember looking
out the window, it was just dark, and a block away
a man wearing a white shirt and a tie passed under
the streetlight and vanished into the night. That’s all.
Out of a lifetime, a few words, a few pictures, and
everything you have lost is lurking there in the dark,
poised to strike.
"If It Was a Snake" by Louis Jenkins from Tin Flag. © Will o' the Wisp Books, 2013.
by Louis Jenkins
You’ve lost something, your car keys, or your watch
and you have searched for what seems like hours. But
then suddenly it appears, right there on the table, not
two feet away. “If it was a snake it would have bit you,”
Mother said. That’s what you remember, a phrase,
an old saying. My sister said, “Grandma told me,
‘Never wear horizontal stripes, they make you look
fat.’ That’s one of the few things I remember about
Grandma.” Or the words disappear and an image
remains. I was getting a lecture from my parents
about riding my tricycle all the way downtown. I don’t
remember anything they said. I remember looking
out the window, it was just dark, and a block away
a man wearing a white shirt and a tie passed under
the streetlight and vanished into the night. That’s all.
Out of a lifetime, a few words, a few pictures, and
everything you have lost is lurking there in the dark,
poised to strike.
"If It Was a Snake" by Louis Jenkins from Tin Flag. © Will o' the Wisp Books, 2013.
Saturday, December 3, 2016
Penquin
Penguin
by William Jay Smith
I think it must be very nice
To stroll about upon the ice,
Night and day, day and night,
Wearing only black and white,
Always in your Sunday best—
Black tailcoat and pearl-white vest.
To stroll about so pleasantly
Beside the cold and silent sea
Would really suit me to a T!
I think it must be very nice
To stroll with Penguins on the ice.
"Penguin" by William Jay Smith from Laughing Time: Collected Nonsense. © Farrar, Straus and Giroux, 1993.
by William Jay Smith
I think it must be very nice
To stroll about upon the ice,
Night and day, day and night,
Wearing only black and white,
Always in your Sunday best—
Black tailcoat and pearl-white vest.
To stroll about so pleasantly
Beside the cold and silent sea
Would really suit me to a T!
I think it must be very nice
To stroll with Penguins on the ice.
"Penguin" by William Jay Smith from Laughing Time: Collected Nonsense. © Farrar, Straus and Giroux, 1993.
Wednesday, November 23, 2016
Limericks
Limericks
by Gary Johnson
There was an old lady of Queens
Who survived on wieners and beans.
Wearing Army surplus,
Riding the bus,
And stealing from vending machines.
A misanthrope living in Raleigh
Believed human friendship was folly
But he did get it on
With a trumpeter swan
And was fond of a miniature collie.
An old fellow lived in St. James
Whose parents were in silver frames
And looked down from the wall
And if he swore at all,
Their pictures burst into flames.
An old fellow up in Two Harbors
No longer bothered with barbers.
He let his hair grow
Ten feet or so
And wore it on overhead arbors.
"Limericks" by Gary Johnson.
by Gary Johnson
There was an old lady of Queens
Who survived on wieners and beans.
Wearing Army surplus,
Riding the bus,
And stealing from vending machines.
A misanthrope living in Raleigh
Believed human friendship was folly
But he did get it on
With a trumpeter swan
And was fond of a miniature collie.
An old fellow lived in St. James
Whose parents were in silver frames
And looked down from the wall
And if he swore at all,
Their pictures burst into flames.
An old fellow up in Two Harbors
No longer bothered with barbers.
He let his hair grow
Ten feet or so
And wore it on overhead arbors.
"Limericks" by Gary Johnson.
Monday, November 14, 2016
Sirens
Sirens
by Billy Collins
Not those women who lure sailors
onto a reef with their singing and their tresses,
but the screams of an ambulance
bearing the sick, the injured, and the dying
across the rational grid of the city.
We get so used to the sound
it’s just another sharp in the city’s tune.
Yet it’s one thing to stop on a sidewalk
with other pedestrians to watch one
flashing and speeding down an avenue
while a child on a corner covers her ears
and a shopkeeper appears in a doorway,
but another thing when one gets stuck
in traffic and seems to be crying for its mother
who has fled to another country.
Everyone keeps walking along then,
eyes cast down—for after all,
there’s nothing we can do,
and today we are not the one peering
up at the face of an angel dressed in scrubs.
Some of us are late for appointments
a few blocks away, while others
have the day off and take their time
angling across a broad, leafy avenue
before being engulfed by the green of a park.
"Sirens" by Billy Collins from The Rain in Portugal. © Random House, 2016.
by Billy Collins
Not those women who lure sailors
onto a reef with their singing and their tresses,
but the screams of an ambulance
bearing the sick, the injured, and the dying
across the rational grid of the city.
We get so used to the sound
it’s just another sharp in the city’s tune.
Yet it’s one thing to stop on a sidewalk
with other pedestrians to watch one
flashing and speeding down an avenue
while a child on a corner covers her ears
and a shopkeeper appears in a doorway,
but another thing when one gets stuck
in traffic and seems to be crying for its mother
who has fled to another country.
Everyone keeps walking along then,
eyes cast down—for after all,
there’s nothing we can do,
and today we are not the one peering
up at the face of an angel dressed in scrubs.
Some of us are late for appointments
a few blocks away, while others
have the day off and take their time
angling across a broad, leafy avenue
before being engulfed by the green of a park.
"Sirens" by Billy Collins from The Rain in Portugal. © Random House, 2016.
Thursday, September 15, 2016
Windows is Shutting Down
Windows is Shutting Down
by Clive James
Windows is shutting down, and grammar are
On their last leg. So what am we to do?
A letter of complaint go just so far,
Proving the only one in step are you.
Better, perhaps, to simply let it goes.
A sentence have to be screwed pretty bad
Before they gets to where you doesnt knows
The meaning what it must be meant to had.
The meteor have hit. Extinction spread,
But evolution do not stop for that.
A mutant languages rise from the dead
And all them rules is suddenly old hat.
Too bad for we, us what has had so long
The best seat from the only game in town.
But there it am, and whom can say its wrong?
Those are the break. Windows is shutting down.
"Windows is Shutting Down" by Clive James from Opal Sunset. © W. W. Norton & Company, 2008.
by Clive James
Windows is shutting down, and grammar are
On their last leg. So what am we to do?
A letter of complaint go just so far,
Proving the only one in step are you.
Better, perhaps, to simply let it goes.
A sentence have to be screwed pretty bad
Before they gets to where you doesnt knows
The meaning what it must be meant to had.
The meteor have hit. Extinction spread,
But evolution do not stop for that.
A mutant languages rise from the dead
And all them rules is suddenly old hat.
Too bad for we, us what has had so long
The best seat from the only game in town.
But there it am, and whom can say its wrong?
Those are the break. Windows is shutting down.
"Windows is Shutting Down" by Clive James from Opal Sunset. © W. W. Norton & Company, 2008.
Friday, May 20, 2016
Blessings
Blessings
by Ronald Wallace
occur.
Some days I find myself
putting my foot in
the same stream twice;
leading a horse to water
and making him drink.
I have a clue.
I can see the forest
for the trees.
All around me people
are making silk purses
out of sows’ ears,
getting blood from turnips,
building Rome in a day.
There’s a business
like show business.
There’s something new
under the sun.
Some days misery
no longer loves company;
it puts itself out of its.
There’s rest for the weary.
There’s turning back.
There are guarantees.
I can be serious.
I can mean that.
You can quite
put your finger on it.
Some days I know
I am long for this world.
I can go home again.
And when I go
I can
take it with me.
"Blessings" by Ronald Wallace from Long for This World. © University of Pittsburgh Press, 2003.
by Ronald Wallace
occur.
Some days I find myself
putting my foot in
the same stream twice;
leading a horse to water
and making him drink.
I have a clue.
I can see the forest
for the trees.
All around me people
are making silk purses
out of sows’ ears,
getting blood from turnips,
building Rome in a day.
There’s a business
like show business.
There’s something new
under the sun.
Some days misery
no longer loves company;
it puts itself out of its.
There’s rest for the weary.
There’s turning back.
There are guarantees.
I can be serious.
I can mean that.
You can quite
put your finger on it.
Some days I know
I am long for this world.
I can go home again.
And when I go
I can
take it with me.
"Blessings" by Ronald Wallace from Long for This World. © University of Pittsburgh Press, 2003.
Sunday, May 15, 2016
In Extremis
In Extremis
John Updike American (1932-)
I saw my toes the other day.
I hadn't looked at them for months.
Indeed, they might have passed away.
And yet they were my best friends once.
When I was small, I knew them well.
I counted on them up to ten
And put them in my mouth to tell
The larger from the lesser. Then
I loved them better than my ears,
My elbows, adenoids, and heart.
But with the swelling of the years
We drifted, toes and I, apart.
Now, gnarled and pale, each said, j'accuse!-
I hid them quickly in my shoes.
John Updike American (1932-)
I saw my toes the other day.
I hadn't looked at them for months.
Indeed, they might have passed away.
And yet they were my best friends once.
When I was small, I knew them well.
I counted on them up to ten
And put them in my mouth to tell
The larger from the lesser. Then
I loved them better than my ears,
My elbows, adenoids, and heart.
But with the swelling of the years
We drifted, toes and I, apart.
Now, gnarled and pale, each said, j'accuse!-
I hid them quickly in my shoes.
Sunday, April 24, 2016
I had no time to hate
I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.
Nor had I time to love; but since
Some industry must be,
The little toil of love, I thought,
Was large enough for me.
Emily Dickinson
Friday, January 15, 2016
Disappearing Fathers
Disappearing Fathers
by Faith Shearin
Sometime after I turned forty the fathers from my childhood
began disappearing; they had heart attacks
during business dinners or while digging their shovels
into a late April snow. Some fathers began forgetting things:
their phone numbers, which neighborhoods belonged
to them, which houses. They had a shortness of breath,
the world’s air suddenly too thin, as if it came
from some other altitude. They were gone:
the fathers I had seen dissecting cars
in garages, the fathers with suits
and briefcases, the fathers who slipped down
rivers on fishing boats and the ones
who drank television and beer. Most of my friends
still had mothers but the fathers
were endangered, then extinct.
I was surprised, though I had always known
the ladies lasted longer; the fathers fooled me
with their toughness; I had been duped
by their jogging and heavy lifting, misled
by their strength when they slapped
me on the back or shook my hand. I kept imagining
I would see them again: out walking their dogs
on the roads near my childhood house,
lighting cigars on their porches, waving to me
from their canoes while I waited on shore.
"Disappearing Fathers" by Faith Shearin from Telling the Bees. © Stephen F. Austin State University Press, 2015.
by Faith Shearin
Sometime after I turned forty the fathers from my childhood
began disappearing; they had heart attacks
during business dinners or while digging their shovels
into a late April snow. Some fathers began forgetting things:
their phone numbers, which neighborhoods belonged
to them, which houses. They had a shortness of breath,
the world’s air suddenly too thin, as if it came
from some other altitude. They were gone:
the fathers I had seen dissecting cars
in garages, the fathers with suits
and briefcases, the fathers who slipped down
rivers on fishing boats and the ones
who drank television and beer. Most of my friends
still had mothers but the fathers
were endangered, then extinct.
I was surprised, though I had always known
the ladies lasted longer; the fathers fooled me
with their toughness; I had been duped
by their jogging and heavy lifting, misled
by their strength when they slapped
me on the back or shook my hand. I kept imagining
I would see them again: out walking their dogs
on the roads near my childhood house,
lighting cigars on their porches, waving to me
from their canoes while I waited on shore.
"Disappearing Fathers" by Faith Shearin from Telling the Bees. © Stephen F. Austin State University Press, 2015.
Sunday, January 3, 2016
One of the most widespread superstitions is that every man has his own special, definite qualities; that a man is kind, cruel, wise, stupid, energetic, apathetic, etc.
Men are not like that.
We may say of a man that he is more often kind than cruel, oftener wise than stupid, oftener energetic than apathetic, or the reverse; but it would be false to say of one man that he is kind and wise, of another that he is wicked and foolish.
And yet we always classify mankind in this way. And this is untrue.
Men are like rivers: the water is the same in each, and alike in all; but every river is narrow here, is more rapid there, here slower, there broader, now clear, now cold, now dull, now warm.
It is the same with men.
Every man carries in himself the germs of every human quality, and sometimes one manifests itself, sometimes another, and the man often becomes unlike himself, while still remaining the same man ...
Leo Tolstoy
Men are not like that.
We may say of a man that he is more often kind than cruel, oftener wise than stupid, oftener energetic than apathetic, or the reverse; but it would be false to say of one man that he is kind and wise, of another that he is wicked and foolish.
And yet we always classify mankind in this way. And this is untrue.
Men are like rivers: the water is the same in each, and alike in all; but every river is narrow here, is more rapid there, here slower, there broader, now clear, now cold, now dull, now warm.
It is the same with men.
Every man carries in himself the germs of every human quality, and sometimes one manifests itself, sometimes another, and the man often becomes unlike himself, while still remaining the same man ...
Leo Tolstoy
Monday, December 28, 2015
Hippos on Holiday
Hippos on Holiday
by Billy Collins
is not really the title of a movie
but if it were I would be sure to see it.
I love their short legs and big heads,
the whole hippo look.
Hundreds of them would frolic
in the mud of a wide, slow-moving river,
and I would eat my popcorn
in the dark of a neighborhood theatre.
When they opened their enormous mouths
lined with big stubby teeth
I would drink my enormous Coke.
I would be both in my seat
and in the water playing with the hippos,
which is the way it is
with a truly great movie.
Only a mean-spirited reviewer
would ask on holiday from what?
"Hippos on Holiday" by Billy Collins from Aimless Love. © Random House, 2013.
by Billy Collins
is not really the title of a movie
but if it were I would be sure to see it.
I love their short legs and big heads,
the whole hippo look.
Hundreds of them would frolic
in the mud of a wide, slow-moving river,
and I would eat my popcorn
in the dark of a neighborhood theatre.
When they opened their enormous mouths
lined with big stubby teeth
I would drink my enormous Coke.
I would be both in my seat
and in the water playing with the hippos,
which is the way it is
with a truly great movie.
Only a mean-spirited reviewer
would ask on holiday from what?
"Hippos on Holiday" by Billy Collins from Aimless Love. © Random House, 2013.
Sunday, November 22, 2015
Elegy for J.F.K.
Elegy for J.F.K.
— W. H. Auden
When a just man dies,
Lamentation and praise,
Sorrow and joy, are one.
Why then, why there,
Why thus, we cry, did he die?
The heavens are silent.
What he was, he was:
What he is fated to become
Depends on us
Remembering his death,
How we choose to live
Will decide its meaning.
When a just man dies,
Lamentation and praise,
Sorrow and joy, are one.
— W. H. Auden
When a just man dies,
Lamentation and praise,
Sorrow and joy, are one.
Why then, why there,
Why thus, we cry, did he die?
The heavens are silent.
What he was, he was:
What he is fated to become
Depends on us
Remembering his death,
How we choose to live
Will decide its meaning.
When a just man dies,
Lamentation and praise,
Sorrow and joy, are one.
Sunday, November 15, 2015
It's Not Just Trains
It's Not Just Trains
by Lawrence Raab
The ticket office was closing
when we arrived and were informed
our train had departed ahead of schedule.
"What do you mean?” I asked. "Trains
leave on time, or late, but never early."
"Such things happen," the agent replied,
"more often than you would think."
"Look around," he added,
"and pay attention. It’s not just trains."
When I told my family of this unexpected
predicament, I was taken aback
by their lack of surprise. "Let’s wander
a while through this pretty little town,”
my wife proposed, “and see what happens."
"Or else,” said my son, "let’s head off
into that dark woods beyond the tracks,
each alone and without our baggage,
and try to find our way out
before nightfall.” He smiled, I thought,
at me in particular, as if he’d known
all along that would be the plan.
"It's Not Just Trains" by Lawrence Raab from Mistaking Each Other for Ghosts. © Tupelo Press, 2015.
by Lawrence Raab
The ticket office was closing
when we arrived and were informed
our train had departed ahead of schedule.
"What do you mean?” I asked. "Trains
leave on time, or late, but never early."
"Such things happen," the agent replied,
"more often than you would think."
"Look around," he added,
"and pay attention. It’s not just trains."
When I told my family of this unexpected
predicament, I was taken aback
by their lack of surprise. "Let’s wander
a while through this pretty little town,”
my wife proposed, “and see what happens."
"Or else,” said my son, "let’s head off
into that dark woods beyond the tracks,
each alone and without our baggage,
and try to find our way out
before nightfall.” He smiled, I thought,
at me in particular, as if he’d known
all along that would be the plan.
"It's Not Just Trains" by Lawrence Raab from Mistaking Each Other for Ghosts. © Tupelo Press, 2015.
Monday, October 26, 2015
Gauguin's Grandson
Gauguin's Grandson
by Paul Hostovsky
was named Paul Gauguin,
too. He was an artist,
too. He lived in Denmark
in his grandfather’s shadow
all his life. And he chafed
against that shadow.
Like living under a rock—
a rock as big as the biggest
island in French Polynesia.
He painted only insects.
Insects that live under rocks—
beetles, ants, centipedes,
pill bugs. In a later period,
he painted only his wife Marta
in only her long black hair
and horn-rimmed glasses.
Toward the end of his life
he made hundreds of collages
of orthopterous insects—
katydids, mantids, cicadas,
crickets and grasshoppers
with long hind legs for jumping
or, you could say, flying;
and for making a rasping, chafing
sound or, you could say, song.
"Gauguin's Grandson" by Paul Hostovsky from The Bad Guys. © Future Cycle Press, 2015.
by Paul Hostovsky
was named Paul Gauguin,
too. He was an artist,
too. He lived in Denmark
in his grandfather’s shadow
all his life. And he chafed
against that shadow.
Like living under a rock—
a rock as big as the biggest
island in French Polynesia.
He painted only insects.
Insects that live under rocks—
beetles, ants, centipedes,
pill bugs. In a later period,
he painted only his wife Marta
in only her long black hair
and horn-rimmed glasses.
Toward the end of his life
he made hundreds of collages
of orthopterous insects—
katydids, mantids, cicadas,
crickets and grasshoppers
with long hind legs for jumping
or, you could say, flying;
and for making a rasping, chafing
sound or, you could say, song.
"Gauguin's Grandson" by Paul Hostovsky from The Bad Guys. © Future Cycle Press, 2015.
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