APRIL is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
T.S. Eliot, The Wasteland
First 4 lines
Wednesday, April 18, 2012
Chaucer on April
Whan that Aprille with his shoures sote
The droghte of Marche hath perced to the rote,
And bathed every veyne in swich licour
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye
That slepen al the night with open ye
(So priketh hem nature in hir corages):
Than longen folk to goon on pilgrimages,
And palmers for to seken straunge strondes,
To ferne halwes couthe in sondry londes;
And specially from every shires ende
Of Engelond, to Caunterbury they wende
The holy blisful martir for to seke
That hem hath holpen, whan that they were seke.
The Prologue to the Canterbury Tales
First 18 lines
Geoffrey Chaucer (1340(?)–1400)
Tuesday, April 17, 2012
Sonnet
Sonnet
by Billy Collins
All we need is fourteen lines, well, thirteen now,
and after this one just a dozen
to launch a little ship on love's storm-tossed seas,
then only ten more left like rows of beans.
How easily it goes unless you get Elizabethan
and insist the iambic bongos must be played
by Billy Collins
All we need is fourteen lines, well, thirteen now,
and after this one just a dozen
to launch a little ship on love's storm-tossed seas,
then only ten more left like rows of beans.
How easily it goes unless you get Elizabethan
and insist the iambic bongos must be played
and rhymes positioned at the ends of lines,
one for every station of the cross.
But hang on here while we make the turn
into the final six where all will be resolved,
where longing and heartache will find an end,
where Laura will tell Petrarch to put down his pen,
take off those crazy medieval tights,
blowout the lights, and come at last to bed.
one for every station of the cross.
But hang on here while we make the turn
into the final six where all will be resolved,
where longing and heartache will find an end,
where Laura will tell Petrarch to put down his pen,
take off those crazy medieval tights,
blowout the lights, and come at last to bed.
Sunday, April 15, 2012
Wear
Wear
by Philip Booth
I hate how things wear out.
Not elbows, collars, cuffs;
they fit me, lightly frayed.
Not belts or paint or rust,
not routine maintenance.
On my own hook I cope
with surfaces: with all
that rubs away, flakes off, or fades
on schedule. What eats at me
is what wears from the in-
side out: bearings, couplings,
universal joints, old
differentials, rings,
and points: frictions hidden
in such dark they build
to heat before they come
to light. What gets to me
is how valves wear, the slow
leak in old circuitry,
the hairline fracture under
stress. With all my heart
I hate pumps losing prime,
immeasurable over-
loads, ungauged fatigue
in linkages. I hate
myself for wasting time
on hate: the cost of speed
came with the bill of sale,
the rest was never under
warranty. Five years
ago I turned in every
year; this year I rebuild
rebuilt parts. What hurts
is how blind tired I get.
"Wear" by Philip Booth, from Lifelines: Selected Poems 1950-1999. © Viking, 1999.
by Philip Booth
I hate how things wear out.
Not elbows, collars, cuffs;
they fit me, lightly frayed.
Not belts or paint or rust,
not routine maintenance.
On my own hook I cope
with surfaces: with all
that rubs away, flakes off, or fades
on schedule. What eats at me
is what wears from the in-
side out: bearings, couplings,
universal joints, old
differentials, rings,
and points: frictions hidden
in such dark they build
to heat before they come
to light. What gets to me
is how valves wear, the slow
leak in old circuitry,
the hairline fracture under
stress. With all my heart
I hate pumps losing prime,
immeasurable over-
loads, ungauged fatigue
in linkages. I hate
myself for wasting time
on hate: the cost of speed
came with the bill of sale,
the rest was never under
warranty. Five years
ago I turned in every
year; this year I rebuild
rebuilt parts. What hurts
is how blind tired I get.
"Wear" by Philip Booth, from Lifelines: Selected Poems 1950-1999. © Viking, 1999.
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